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課程名稱 |
莒哈絲：文學裡的聲音
Sound Narrative in Marguerite Duras |
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開課學期 |
104-1 |
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授課對象 |
文學院 外國語文學研究所 |
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授課教師 |
齊東耿 |
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課號 |
FL7296 |
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課程識別碼 |
122 M8640 |
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班次 |
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學分 |
1 |
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全/半年 |
半年 |
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必/選修 |
選修 |
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上課時間 |
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上課地點 |
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備註 |
初選不開放。專題研究課程，上課時間地點另行宣布。
總人數上限：1人 |
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Ceiba 課程網頁 |
http://ceiba.ntu.edu.tw/1041FL7296_ |
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課程簡介影片 |
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核心能力關聯 |
核心能力與課程規劃關聯圖 |
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課程大綱
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課程概述 |
This course focuses on the representation of sound within selected works of Marguerite Duras. It covers discussion of sound by important theorists such as Rick Altman and Michel Chion to develop student’s understanding of related debates in the sound field. In the second half of the semester, the student will be working on texts of Duras, including three of her short novels Moderato Cantabile, Dix heures et demie du soir en ete and L'apres midi de Monsieur Andesmas and two films Hiroshima mon Amour (playwright) and India Song (director). Through textual analysis and extensive secondary materials, the course offers fundamental knowledge necessary for Duras studies. |
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課程目標 |
This course aims at familiarizing the student with current sound theories and further provides new angles for reading Duras’ works. The course builds a solid foundation for further research through selected texts in sound theories and secondary materials on Duras’ works. |
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課程要求 |
Requirements:
- Class Participation
- Finish assigned readings before class
- Notes on assigned Readings
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預期每週課後學習時數 |
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Office Hours |
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指定閱讀 |
Assigned Readings:
Altman, Rick. Sound Theory Sound Practice New York Routledge, 1992. Print.
Chion, Michel. Audio-Vision: Sound on Screen. New York, Columbia, 1990.
Duras, Marguerite. 4 Novels. New York: Grove Press, Inc., 1965. Print.
Higgins, Lynn A. New Novel, New Wave, New Politics. London: University of Nebraska Press 1996. Print.
Hill, Leslie. Marguerite Duras - Apocalyptic Desires. London: Routledge, 1993. Print.
The Auditory Culture Reader Eds. Bull, Michael and Les Back. New York: Berg, 2013. Print.
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參考書目 |
Altman, Rick. Sound Theory Sound Practice New York Routledge, 1992. Print.
Attali, Jacques. Noise: The Political Economy of Music Minneapolis: The University of Minnesota Press, 1985. Print.
Beauclair, Michelle. Albert Camus, Marguerite Duras, and the Legacy of
Mourning. New York: Peter Lang Publishing, Inc., 1998. Print.
Bijsterveld, Karin and Jose van Dijck, eds. Sound Souvenirs. Amsterdam:
Amsterdam University Press 2009. Print.
Caruth, Cathy. Unclaimed Experience: Trauma, Narrative, and History.
Baltimore: The Johns Hopkins University Press 1996. Print.
Cruickshank, Ruth. "Eating, Drinking and Re-Thinking: Marguerite Duras's Moderato Cantabile (1958) " Forum of Modern Language Studies 49 (2013). Web. 7 Apr. 2015.
Duras, Marguerite. 4 Novels. New York: Grove Press, Inc., 1965. Print.
Eisinger, Erica M. "Crime and Detection in the Novels of Marguerite Duras."
Contemporary Literature 15.4 (1974). Print.
Glassman, Deborah. Marguerite Duras: Fascinating Vision and Narrative Cure. New Jersey: Associated University Press 1991. Print.
Gunther, Renate. "Fluid Boundaries: The Violence of Non-Identity in Marguerite Duras's Representation of Female Relationship " South Central Review 19/20 (2002): 85-102. Print.
Higgins, Lynn A. New Novel, New Wave, New Politics. London: University of Nebraska Press 1996. Print.
Hill, Leslie. Marguerite Duras - Apocalyptic Desires. London: Routledge, 1993. Print.
Hirsch, Marianne. "Gender, Reading, and Desire in Moderato Cantabile." Twentieth Century Literature 28 (1982): 69-85 pp. Jstor. Web. 22 Mar. 2015.
Hohne, Karen and Helen Wussow et al, eds. A Dialogues of Voices Minneapolis: The University of Minnesota Press 1994. Print.
Knuuttila, Sirkka. Fictionalising Trauma: the Aesthetics of Marguerite Duras's India Cycle. Helsinki: University of Helsinki Print 2009. Print.
Kristeva, Julia. "The Malady of Grief: Duras." Black Sun. New York Columbia University Press, 1989. Print.
Liang, Dong. "Marguerite Duras's Aural World: A Study of the Mise-En-Son of India Song." Music, Sound, and the Moving Image 1.2 (2007): 123-39. Project Muse. Web. 29 Mar. 2015.
Miller, Paul Allen. "Duras and Platonic Love: The Erotics of Substitution." The Comparatist 37 (2013): 83-104. Project Muse. Web. 8 Apr. 2015.
Piper, Karen. "The Signifying Corpse: Re-Reading Kristeva on Marguerite Duras." Cultural Critique 31 (1995): 159-77. Jstor. Web. 7 Apr. 2015.
Schuster, Marilyn R. Marguerite Duras Revisited. New York: Twayne Publishers 1993. Print.
The Auditory Culture Reader Eds. Bull, Michael and Les Back. New York: Berg, 2013. Print.
Williams, James S., ed. Revisioning Duras - Film, Race, Sex. Liverpool: Liverpool University Press, 2000. Print.
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評量方式
(僅供參考) |
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週次 |
日期 |
單元主題 |
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第2週 |
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Sound Theory – “Sound Space” by Rick Altman |
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第3週 |
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Sound Theory – Audio-Vision by Michel Chion |
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第4週 |
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Sound Theory –Noise by Jacques Attali |
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第5週 |
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Sound Theory –The Auditory Culture Reader |
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第6週 |
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Moderato Cantabile by Marguerite Duras |
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第7週 |
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Moderato Cantabile by Marguerite Duras (Secondary Material) |
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第8週 |
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Dix heures et demie du soir en ete by Marguerite Duras |
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第9週 |
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Midterm Week |
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第10週 |
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Dix heures et demie du soir en ete by Marguerite Duras (Secondary Material) |
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第11週 |
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L'apres midi de Monsieur Andesmas by Marguerite Duras |
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第12週 |
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L'apres midi de Monsieur Andesmas by Marguerite Duras (Secondary Material) |
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第13週 |
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Hiroshima mon Amour |
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第14週 |
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Hiroshima mon Amour |
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第15週 |
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India Song |
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第16週 |
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India Song |
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第17週 |
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Sound and Duras |
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